Saturday, August 4, 2012

205

205



[From 201]
[Tag: no coat]
[205]

Luckily, my mother isn’t in the kitchen just at that moment. I grab my coat from off the peg and tiptoe out the back door. Once I’m out to the chopping block, I sit on it to put on my coat and then tie the laces of my boots. As I run, the cold air slapping my face and chilling my lungs wakes me up. Spring is in progress, but it’s still cold, and the snow isn’t all gone yet.
I know the general direction to head in, and now that it’s light, it shouldn’t be too hard to find. I race faster and nearly trip over a tree root for my trouble. I’m getting closer.

That’s when I hear a noise behind me. I turn around in time to see a skimmer catching up to me fast. Boron, it has to be Boron. What do I look like? I didn’t even think before I left. It didn’t even occur to me that he would be here. Since I slept on my face, my hair shouldn’t be too bad, but I still must look like I just woke up.
He slows down when he sees me. “What are you doing here?” he demands. “This is a search, not a picnic.”
“I couldn’t stand waiting at home for news. You see--”
“Well, it would be safer if you did. What if those Outliers are still around? I heard that one of them was killed last night, which will save the price of a rope.”
Suddenly, I’m aware of how cold my feet are, sunk to my ankles in a bank of rotten snow.  “They’re not going? What did they do?”
“Tried to burn down my house for one thing. Thank Benevolence that they were found out. A runner just brought the news, so I came right over to make sure that they didn’t miss any evidence. Now you see why you should go home.”
I try to smile, but I feel like I have a big rock in my stomach. “Thanks, I’ll keep going. My dad should be there. I’ll stay near him.”
“You really should leave this to the men.” The he rushes off, the skimmer gliding just above the snow.
I take a step, watch my foot sink through the pile that is really more a heap of little bits of ice than snow. It will be gone within a week except for pockets in dark places under trees and between rocks. I think my socks are getting wet.
When I look up, he’s gone, disappeared between the spruce trees just ahead. I’ve never ridden on a skimmer before. I wonder if Barry got away. What if he was wounded? What if he’s dead? If Boron is right then someone is dead. But then I knew that. I knew that someone would die--I just didn’t believe it.
My feet start moving, slowly at first, but then faster. Running takes all of my concentration, which is good.  Just through the line of trees I can hear voices. I can also smell a campfire. And then I stop short because I can see the black snow, muddy patches of ground, and the charcoal trunks of trees.
Logs that have been partially burned are black and have little burned grooves in them where the surface of the wood has been consumed and then pulls apart. I’m not used to seeing that on upright trees. Something must have been very hot to make them burn at this time of year.
“What are you doing here?” It’s my dad. “First Wren and now you? Isn’t your grandmother coming any minute? Why aren’t you at home helping your mother? You know how she gets.”
“Dad--”
“You shouldn’t be here.”
“Did you find anyone?” He can’t send me home before I find out anything.
“No. Barry’s not at home, either. The enforcers have been there to check.”
“So we don’t know if he’s hiding or if he, if he’s dead?”
My dad shakes his head.
“Okay,” I say and turn to go.
His big hand rests gently on my shoulder and pulls me back. “It looks like they were planning to use explosives on the Domini House, but that some enforcers somehow knew that they were here and followed them.  The explosives went off. And we did find blood on the snow in more than one place. I don’t want you to see it.”
I nod, and this time he lets me go. The way back seems longer; it’s definitely colder. I shove my hands into my pockets and wish that I had remembered my mittens. It looks like my scrying went well last night. So why does that make me feel terrible?
They were planning to burn down the Domini House? They were planning to kill the Domini, the Lady Domini and Boron? What would they have done to me? I try to keep the thought from slipping in because I should be more worried about the Domini family. I should trust Barry, but I guess I don’t. And as sorry as I am that someone died, I can’t help being glad that I’m alive.


1) I don’t want to deal with my mother and grandmother being polite and disapproving at each other right now. I’m going to go talk to Daisy. Maybe she can help me figure out what to think about all of this.

2) Going home is the sensible thing to do now. If I’m lucky, my mother will have been too busy to notice that I was gone. I’ll still be able to see Anen if I go now.

116

[From 105]
[116]
Then he looks at his hands as if he is thinking very hard about them. “Come on,” he tells them, “light up.”

Instantly, there is a blue glow filling the tent. I’ve seen that before. In fact, I’ve done it myself. My mind whirls on about how it’s a slight discharge from the gathering of a pool of magic all together. But what I find really interesting is that he couldn’t do it without talking to his hands. Magic doesn’t have anything to do with words. Magic is energy. It travels the path of least resistance when not channeled. But then, he said that he isn’t very good, so maybe he needs to talk to himself to help focus.

“Barry,” I say, suddenly coming back to reality--the reality of what he’s about to do--”I don’t think that’s a good idea.”

He glares at me, but doesn’t say anything. I reach out to stop him, but then I hesitate, knowing that I’m likely to get a big shock from touching him with that kind of charge gathered.

“Really,” I insist. “Stop. Now.”

His hands touch Sage’s skin.

Instantly, there is a burst of light that sounds as loud as it is bright. The lumilamps are a part of it. The glass chimneys shatter, sparks fly out. I scream as I drop mine. I feel Barry’s weight drop across me.

Then everything goes dark.

“Barry?” I say, gingerly prodding him.

Nothing.

“Barry?” I call more urgently. I can’t get out from under him. I’m already pressed against the tent wall.

A wave of panic washes over me. I shove at Barry, scramble backwards. I think I’m scooting towards the tent door, but then I hit the fabric. I hit at it, but the wall just puffs out away from my hand. I can see a dim glow coming through the wall, but it’s not nearly enough to tell where anything is. I feel sophocated; I have to get out of her now.

I close my eyes because even though it’s dark, I need to focus. I need to collect my thoughts all in one place. I tell myself to calm down, to think clearly enough to not be lost in this sea of panic. I breathe in and out twice.

Then I touch my lumicube, and to my relief, it turns on, sending out a cold, white glow. Barry is still half draped over me, but I know which way to go to wriggle out from under him.

Since I end up at Barry’s feet, it’s easiest to check Sage first. I reach out a shaking hand and put it on his neck to find a pulse.

I can’t find one.

I look for a rise and fall of his chest. It’s not there.

“Barry what have you done?” I whisper aloud. And then it hits me.It’s my fault. Barry wouldn’t have been forced to try what he did if I hadn’t been so scared.

A new kind of fear pounces on me. It’s a panic not to get away, but to make everything all right before it’s too late. My hands are glowing--I didn’t even think about it, and when they touch his skin, tiny swirls of light move across him like fog tendrils.

I take one more moment to think. Barry sent an unfocused charge of energy into Sage, and it killed them both. How can I do something different? How do you focus magic without gears and machinery?

And then I remember Barry’s hands. Words. He used the words not for the magic’s sake, but for his own.

“Heal,” I say softly. It doesn’t work.

“Salu,” I say it again in Galliun. Even though it doesn’t actually work, when I can’t get someone to understand me in one language, I feel like switching to the other will help. If only I knew what language magic spoke.

Maybe I do. If I were at home, I would be filled with that fidgety calmness that I always experience when new understanding takes me to some exciting new idea that I had never considered before. Now, I just grab the thought and go with it.

“Gweler,” I say softly as I push energy though my hands,through the word somehow, and into Sage.

Of course I don’t actually see inside of him, but somehow I do anyway. All of his muscle, bone, and blood. It’s all there, and even things I don’t know the name of. I could tell you their shape, where they are, how they move.

His heart is still. I need somehow to push it, to give it enough energy to convince it to beat again. ”Gweler!” I yell,and shove magic into it.

Sage’s body arches upward, his back bent, his limbs rigid. I leave off, surprised, and afraid of what I did to his poor body that’s already been through so much.

And then he gasps for air.

“Sage?”

He doesn’t answer, but his breathing fills the space that had been too quiet. Had I heard Barry’s breathing? Now I can’t remember.

I lean over to touch Barry’s neck. The pulse is there. I sigh. Now that everyone is alive again, maybe I can attend to keeping Sage alive for more than the next few minutes.

I lean across Sage’s body to put my hands on the mess that used to be his hip. I can’t get any closer because Barry is in the way, and I know I can’t move him.

I squirm at the touch of wet flesh, of feeling something that should remain hidden away in his body. It reminded me of a fish flopping around on the shore, exposed and somehow awful.

I need to see inside of him, the way I did before. It doesn’t come. Now that it’s not as immediate, I can’t focus. I need a word, another word that magic understands.

“Effro,” I whisper as I close my eyes. And suddenly, I can see. Even though it’s really more like feeling, touching to know what things are.

I find the rough edges where the muscles and veins end abruptly. “Gweler,” I say. They move slightly, like a meadow of grass when a breeze blows over it. “Gweler,” I tell them again.

They began to stretch, to extend. It’s slow,very slow. It’s like filling a chasm with pebbles, but as long as he is healing, he isn’t dying.

I have no concept of time, except to know that it’s been long enough for my feet to fall asleep and my back to begin to protest about how I’m situated. If I’m going to heal him, then I need to do it fast enough that my own body doesn’t give out. There is so much work still to be done, and already I’m getting tired.

I take a deep breath and say it one more time, “Gweler.” But as I say it, I gather myself and push every drop of magic I can find in my out through my hands and into Sage.

It’s like...it’s like, like an explosion, like a morning glory opening, like nothing I’ve ever experienced before. All of the tendrils stretch at once, grow together. From somewhere a rushing feel crashes forward, and blood comes in through new veins to feed the young muscles. It’s like watching a dance that sweeps me away until I am nothing.

I can see everything inside of him more clearly every moment, but when I try to find myself, my own hands, the feel of my own body, I don’t know where to look. And then I forget to try.

[200]

Continue on to Chapter 2




115

[From 105]

[115]
I gather myself, try to focus my thoughts as I’ve done before. Of course I’ve done little experiments. I thought that most people must, in spite of the fact that it’s forbidden. Well, how can you learn the principle and not want to see if you can really do it? But this time, it’s not to find little glimmers inside of myself and gather them into a spark that pops from my fingertips to the kindling in the wood stove. This time I need to give instructions, to cause his tissue to behave in a specific way and then give it the energy it needs to accomplish that, not just to gather enough energy so that it catches on fire. This could go horribly wrong.

My fingertips tingle. My eyes are closed, but I’m acutely aware of Barry watching me. I try to concentrate on the task. The little bits of magic that collect like dew drops and trickle down into my hands are gathering, but what do I do with them? My hands grow warmer, almost hot. I need to release the magic soon. I could dribble it down into him and hope that it does more good than harm, but I doubt that it will work. The simplest manifestations of magic are light and heat. Without direction, the magic will illuminate the wound and make it hotter. That’s not what I want at all.

I let go a long breath and open my eyes. “I don’t know what I’m doing,” I tell Barry.

“Your hands are glowing,” he says in a hushed voice. “I can’t do that. None of us can. Kestrel, you can do this. I know you can find a way.”

He isn’t helping.

If only my grandmother were here. She might know. She knows more than she has taught me, but how much more? And then, as always when I think of her, I begin to run through the words that she has taught me, the words that she whispered over my cradle and still tells me nearly each time she visits.

The words aren’t Galliun, like my mother taught me to speak. They’re different, ancient. Running through them helps to calm me, to focus my mind.

And I realize that they are exactly what I need.

Suddenly, it snaps into place. I flex my fingers and then lightly rest them on the wound, ignoring the blood that smears itself on my fingertips. “Effro,” I whisper.

A part of me, of what I can see--or at least be aware of--is there. Deep, close. There are tiny strings of muscle, all layered on each other, ending in nothing. They mingle with blood vessels, some burned shut, others dripping, all damaged. They know how to grow, to repair, but they are all in shock, hurt and tired. “Symud,” I tell them, all the little listening presences. And then I let the energy free. I drip it slowly, just enough. I don’t want to overwhelm them.

It’s like tiny mouths drinking. They relax. The pain eases. “Symud,” I say again. And I try to combine it with the idea of growing. For a moment, nothing happens, and then all they expand, just a little. They reach toward me. I let more energy free. Now that they understand what I want them to do, they stretch faster. They multiply. They lap up magic as fast as I can pump it down my arms and through my fingertips. The yellow-orange glow intensifies, turns blue, and then white as less energy is lost as heat. It is no longer warm.

It feels like I am inside a waterfall or a dance.

When it ends, it feels like I have been jerked to a stop. My whole body, inside and out has been slapped, or maybe slammed into something.

My nose tickles. I lift a shaking hand to touch and find that my nose, my cheeks, are wet with tears.

I can hear someone talking, but it doesn’t make any sense. Who would be talking? I try to find all those little voices, to go back to the dance, but it’s like a door has been shut. I am alone. I can’t see. My eyes don’t know how to make sense of what light there is, and even the light is fading.

[200]
Continue on to Chapter 2




114

[From 106]
[114]

Barry shouts at a couple of people who are hovering outside the tent door. I wait for too long. It must be a couple of minutes, but it feels like forever. For Sage, it may be more minutes than he has left. Finally, Barry hands me a few crystals. Several are small, probably quartz, not worth much, but a couple of them are good ones. There is even an emerald--a created emerald, but an emerald none the less.

Placing the crystals in the palm of one hand, I then put my fist as gently as I can on the wound. I close my eyes. I’ve done this before--well, not exactly this, but something similar. If Sage needs energy, then all I have to do is open a channel for flow and then control that flow so that all the energy from the crystals isn’t released at once.

I mentally target the stones. My hand can feel the energy humming in them. I imagine something like a sluice gate on an irrigation ditch. If I remove one small board from the gate, then energy will flow out--not too much, just a trickle.

The shock bites at my hand like a wasp sting. I immediately smell something awful, something burned.

“What have you done?” Barry yells. He moves forward to put his ear to Sage’s face. “He’s not breathing!” He pulls Sage’s shirt open and puts his hands over his friend’s chest. “No heart beat.”

I drop the crystals in horror and put two fingers on Sage’s neck. I was hoping that Barry just couldn’t feel it. That it was just faint, but it’s not there, not even a flutter.

What have I done?

“No,” the word only half makes it out of my mouth. “It can’t...” Inside of me, a terror, a fear of something, I can’t even tell what, chases me like some unseen thing in a dream. It’s like everything inside of me is running as fast as it can, but my legs won’t move.

Not good enough, I tell myself. Move. Beat. This can’t be real. Without thinking, I shove Barry aside and plant my palms on Sage’s chest. His heart has to move. I have to find a way to tell it to beat again, or it will never run fast enough to get away from that fear. I’ll never get away from that black fear chasing me. I have to make him understand.

“Deffro!” I yell, and shove magic from my hands into Sage. Sage’s body jerks upward, stiff, awkward.

I hold my breath.

Beneath my fingers, I feel a thump, then another. The steady drumbeat is there. “I can feel it,” I babble. Then I turn to Barry. I laugh like an idiot. “He’s there.”

I don’t wait for his reaction. I’m gaining, moving ahead of that blackness, and I’m not about to let it catch up to me again. If I can make Sage--no not Sage, not exactly. If I can make his muscles, his blood vessels understand me, then the energy won’t...do what it did before. I feel light-headed with relief, reckless.

I put my hands on his hip, ignoring--or at least pretending to ignore--the further damage that I caused to the bloody, now slightly more blackened mess. The word I used wasn’t Terran. It wasn’t even Galliun. It was a word from a language that I don’t actually speak. I only know of one person in the whole Archipelago who does, but she taught me a few of the words, and Sage’s heart understood.

“Gweller,” I say softly, letting a trickle of magic escape through my fingertips. I have never used magic directly from myself before. It feels like someone is pulling thread along the inside of my arms and out through my fingers. It’s a little warm, and it almost tickles.

The logical part of me insists on pointing out that this is due to the minor resistance of my muscle tissue, but that it shouldn’t be a problem. It also points out that the energy is channeled along my blood vessels because magic can travel through liquid with less resistance than through muscle or bone.

The rest of me, the part that cares about Sage, shuts my mathmagics ramblings off and focuses on that one word, gweller.

It means heal or get better, my grandmother told me. She tells me a few words here and there, words that people once spoke, but that was almost gone even in her childhood. Words of power, I think. Words that will save Sage.

“Gweler,” I whisper, and I am suddenly aware of Sage’s muscles and bones, of the little tubes that carry blood. I can see them all, not in the same way that my eyes work, but I know that they’re there. I could identify each part. “Gwella,” I tell them. “Gwella.” And then I send just enough energy for them to begin.

It’s slow at first. I can sense tiny pieces inside of his muscles beginning to stir. They vibrate, hum slightly as if they are waking out of a torpor. Then they busy themselves by cutting off the dead pieces. There is a sadness, a loss in the task. But then the real work begins. There is a swelling, and then there are new bits. I can feel them. They call for the river, and from far away, the return call, low and deep comes. I realize, as the flow of blood increases, that it is the marrow of Sage’s bones, answering the request for more blood to feed the starving new flesh. I send magic along the tunnels, and the bloodflow soon increases again. Faster than could ever be possible, blood comes to feed them all, and so the growth continues. All of the work has a feeling that goes with it. It’s like a song, only one I can’t hear, but it’s there somehow anyway.

When the work is complete, I am reluctant to leave, but I feel something from far away. Something shaking my shoulder, I realize, and I wonder where my shoulder is. It can’t be here, in the dark with the unheard singing. It must be outside. With Barry.

I open my eyes. Barry’s face is concerned. “You look awful,” is the first thing he says.

All I can think is that it feels cold out here. But I can figure out what to do about it. I realize that singing for blood to come to make me warm isn’t the right thing. What is?

“You did it.” I can hear the relief in Barry’s voice. “He’s going to live.” Focusing on it brings me back a little more.

“A blanket,” I say, happy that I can remember the word I was looking for. “That’s what it is.”

“What?” Then he nods. I think he would agree to anything I said, but I don’t care. I feel like half of me is floating away. “Yes, we’ll get him a blanket. In fact, I think we’ll get one for you, too.”

I sway a little and smile at him.

“Kestrel, do you understand?” he says to me. “You’ve healed him. I don’t know what you did, but he’s fine. He’s sleeping now, real sleep,”

“All right,” I tell him, but it doesn’t mean very much because it occurs to me that I’m very tired. Maybe if he quit talking then I could just go to sleep.

“Kestrel. Kestrel, are you okay?” His voice keeps me awake, but I decide to ignore it. I can probably sleep through it. I lean toward him. His shoulder is soft, so soft. Everything will be fine if I can just go to sleep.

[200]
Continue on to Chapter 2




113

[From 106]

[113]

Barry's face is determined, harsh. It's the face he wore when he killed a man--a few minutes ago--a lifetime ago. And as I look back, I realize how much I don't want to see two people die tonight.

And maybe I’m scared or inspired, or maybe I just don’t want this death to be my fault. I swallow and reach over to him, gently lifting his shirt. I ask Barry for a knife, and luckily the one he hands me is sharp. I carefully cut through the waistband and shove my gagging back down into somewhere deep inside of me where it won’t bother me tonight, not right now--though I know I’ll have to pay for it later.

Whatever it was that cut him didn’t just slice a red stripe in his hip; it ripped part of it out. I can tell that much since a big chunk of muscle is just gone, and the skin is ragged around the edges. He was right that this isn’t something that can be sewn shut, and I doubt how much medicines could help. We could pack the wound and try to keep him from bleeding to death, but he’ll never walk again.

My hands are shaking, but I reach out and place two fingers on the wound. I close my eyes and feel a spark. I can still see it on the inside of my eyelids, real or imagined, I don’t know. I’ve never used magic for more than lighting fires, for moving small things. Not like this.

I had just a bit of an idea. If I could apply the principle of Wertenhouser’s Theory to his muscles, maybe they could move close enough together that I could at least slow the bleeding. Maybe I could find the blood vessels and close them. As I start to think in terms of mathmagics rather than blood, I can calm my breathing. I can see the small tubes that are letting so much blood free. I don’t know how, but I can see them, not see really, but feel in my mind the shape of them. I can feel the pulse, but maybe that’s just a guess or what I would expect to be there.

The trick now now is to tell them what to do. That’s the problem with mathmagics, not harnessing the energy, but focusing it for a specific purpose. That’s what they use machines for--and as I debate with myself, more of his blood soaks into the grass beneath us.

“Close,” I tell his veins. My fingers tingle, but nothing much happens. I feel an alertness, though, as if his body is listening. “Ciro,” I try in Galliun, when I switch languages, it makes me feel like I’m saying it more clearly or forcefully or something. And the tingling spreads. “Ciro,” I say again, this time louder, willing energy to move from my center and down into my hands. “Ciro.” I feel the veins begin to tremble, and the open edges press together. The bleeding slows to a drip. I breath out. I open my eyes. The raw meat that was once his leg is still there, but the rubbery little tubes that look like straws or balloons gone wrong have pinched themselves shut. I lift my bloody hands, not knowing where to put them.

I look at Barry. He looks at me. Neither of us dares to hope. We don’t say anything aloud, but there, in the middle of the night, over what would surely have been a dead man, we say everything with just our eyes.

And then I am aware of his breathing. I am waiting for it.

It doesn’t come.

I turn to look at him, look back at Barry.

“Sage,” he says. “Sage wake up.” He tries to scramble into the tent, but there just isn’t room. He grips my shoulder. “What’s wrong?”

And then we hear a shallow breath, a whisper. Not deep enough, not long enough. Just a thin sputter.

I look at Sage’s white face. “Too much blood,” I guess. But I know that it’s a good guess.

“So now what?” he demands. “Can’t you...make some more or something?”

“I”m not a magician,” I remind him. “And even they don’t make blood. Do you think that people would die if magic could save them?”

Barry’s fingers tighten, pinch into my shoulder. “He's is my friend, but tonight his life means a lot more than that. If you don’t heal him, it won’t just be him who dies. You stopped the bleeding, there has to be something else you can do.”

“Barry, you’ve read the same books I have. You know that there isn’t anything else. What can I do? I can tell you about energy transfer ratio, not blood. There’s no spell for making blood.” But even as I say it, I can see the connection. I don’t know how to make blood, but his body does. I stare at Barry for a several seconds before I realize that he’s shouting at me, some of tirade about saving lives and a noble cause. I don’t care.

I push my hands back into the wound. I close my eyes and think, “I need to see you. Marrow. I need the marrow...” My voice dies out. I don’t have the courage to sound that silly aloud. Not with Barry there watching. What if it doesn’t work?

“He stopped breathing!” Barry yells, which doesn’t help me at all.

What I need is a way to talk to Sage's marrow--which is a really strange thing to do--to connect to the inside of his body without thinking about how stupid and impossible it is because then it really will be impossible. And I need it to work, regardless of how stupid it is.

Barry is still shouting. I reach one red hand toward him, press a five-fingered stain across his mouth. “Shut up,” I say very softly.

And then I remember other words, words he can’t possibly know. They're not Terran or even Galliun; they're more like a secret, or a remembrance, a gift from my grandmother. I could use her help now. She isn’t here. No one who can help me is here, but I have her words.

"Gweler" I say, pushing magic into the word as I press my hands on him.

And there they are, the long bones in his legs, above and below the knee. I don’t know what bones look like, not really, but I know the shape of his bones, know how to find the marrow inside of them.

"Gwella" I tell them. Gwella. I hope it’s the right word. I know so few. But they seem to understand, and red seeps into being. A little, so little. He’s too weak.

I bite the inside of my lip and feel something tighten inside of me.

"Gwella," I say again, only this time, instead of pushing something out, in front of me, I bring myself with the word. I flow into the marrow of his bones and stretch my fingers out through it, reaching as much of the hollow that I can.

I fill the emptiness of his hip with myself, stretching out my arms, bending my back to cover the hole, to negate the void. I don’t know how it works. If I stop to think about myself, I know that I am there, here, kneeling next to him, head bent. But then the work slows, and I have to forget about myself again, about what is real and possible and just do what needs to be done.

There comes a point when I open my eyes and wonder what is happening because my hands are still red, but they rest on pink skin. Raw, but whole.

And I turn to look at the lumilamp, but I see it as if from a long way off, down a dark tunnel. And I think that there is something about that that isn’t quite right. And I try to talk to...to the, the him there, but I can’t think of the words, and it’s darker, and my--isn’t; I’m not quite right.

“Kestrel.”

I wish that someone would stop saying my name; it’s too loud.

“Kestrel.” I want to stop hearing it, to stop the noise ringing around in my head, and my eyes don’t want to open, because it’s black, and I’m tired, and I want the voice to go away. I just want to sleep.

[200]
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110

[From 108]

[110]

"Tell me once and for all," I say as I get to my feet. "Does this have anything to do with Outliers?"
Barry looks sheepish. "If I tell the truth, you won’t heal Sage. I brought you here because you know about magic. I mean more than we learned at EI.”
My mouth freezes, half open. Whatever words I was going to say are lost. How could he possibly know? We don’t even hang around the same people.
“I was curious, and I had help finding out. Really, since your grandma used to be a green woman, it’s not that big a jump.”
I have to grant him that, but I still don’t like it. Are all of my most hidden secrets common knowledge? My parents don’t know--or at least that’s what I thought. “Look, Barry,” I begin.
“I’m not going to turn you in, Kestrel,” he says. "And there may be people who are better at healing magic than you, but--"
That's an understatement. "I don't know anything."
"Look, you know more than anyone I can get to in time. That's all that matters.  We were meeting in the forest to discuss...some plans. We got caught. There was an event. It's over now, but Sage is bleeding to death. I don't know how long we have, but I do know that my most skilled medic can't save him. I realize that you're a long shot, but I'm begging you to try."
He doesn’t say anything for a long minute. Finally I nod and walk back to the kitchen where I wordlessly put on my boots and coat. I pick up a lumilamp and follow him.
I open the back door and then turn to him. “You really have a dying friend somewhere in the forest?” I say.
“I really do.”
Telling myself that this is a really bad idea, I walk outside. The cold air sticks in my throat, and I wish that I had brought my thick scarf to wrap across my face and keep the air from going down my neck.
It feels like we are walking for a long time without getting very far, and while I'm good at walking alone at night, walking with someone I don't completely trust is a very different thing. I twitch at every noise I hear, every time I think I see a shadow move, and with the light of two swinging lumilamps, there are a lot of shadows. My shoulders are tight and hunched inside my coat, and it’s not just because of the cold.
When we near the creek that has all of the willows near it, I begin to smell smoke. We must be getting near if I can smell their fires. But it’s strange that I can smell it without being able to see the light.
And then I see a glow. At first I'm just relieved that we're getting somewhere that seems like a real place and not like a thieves' den in the middle of nowhere, but then I realize that the fire is too big for a campfire, even a bonfire. That's when I realize that there are several fires--and some of them are trees and that all the willows along the bank of the creek. Green willows are hard to set on fire. What happened here? I hesitate, and Barry turns and reaches for a hand that I don't offer to him.
“Come on,” he says a little gruffly, pulling me forward a few steps. "The fire is contained. Thank the Benevolent Force that we're at the end of winter instead of the end of summer. We’re almost there. I have some first aid stuff at the camp, but I promise you that if we could save his life with it, I would have done it already.”
“Magic isn’t medicine,” I tell him, stopping.
He drags me forward again. “Well tonight, it’s going to be.”
After that I don’t say anything. I just follow him.
He slows and says,“It’s right over there.” He yanks his head in the right direction. “Come on.”
He holds both lumilamps while I crawl into the tent, afraid of what I’ll find. Inside, I can smell a meaty smell that reminds me of kitchens and cooking until I realize that it must be Barry’s friend’s blood. I think I’m going to be sick.
Without a shirt, I can see the sweat and dirt that covers him, but even with two lumilamps, I takes me a minute to make sense of the darker patch I see on his hip. I cover my hand with my mouth and turn back to Barry. His face looks hard, angry. The moment of fear at seeing his face gives me courage to turn back for a second look. My first callous thought is that he should be dead. Why isn’t he dead? The fact that he looks like that and is still alive is the single most horrible thing I’ve ever experienced in my life.
Part of me thinks all of this quite calmly while the rest of me is busy reacting. Once it gets into my head, then suddenly my stomach is involved in a bad way. I push back out of the tent and throw up, but still, that logical part of me actually thinks about how I should go around to the side so that it’s not a problem for people coming in and out of the tent later. And once I leave my stomach behind, the calm side of me can take over, even though I think it’s weird. I should be fainting or queasy some more, or at least upset. Nothing. All of the shock has gone away somewhere.
“He should have bled to death already,” I say aloud, though as soon as it’s out of my mouth, I realize what a callous thing it is to say.
“We, um... had to cauterize it to slow the bleeding,” he tells me. “But we put off doing too much of it, hoping that he might be able to walk again some day or at least keep the leg.”
Walk? I think to myself. How can you walk without a hip?
“Well,” I say, “I don’t know what can be done, but get some hot water, and I’ll--”
“No,” he says, “not good enough.” As I open my mouth, he cuts me off. “He’s lost a lot of blood. He’s sinking every minute. I’d say he has maybe a couple of hours, maybe less. Not that I’m a great judge,” he adds.
“So what can I do?”
“Kestrel, I’ve seen you in class. You’re the best out of all of us at mathmagics, but it’s more than that,” he says as I’m about to tell him how useful equations and crystals are to a dying man. “I’ve seen you at home, too.”
“What do you know?”
“Enough to go get you tonight.”
“Barry,” I try to reason with him again. “Whatever you saw or think that you know, it doesn’t mean that magic is about healing. You know the five applications as well as I do.”
“No,” he says loudly. “Not as well as you. Now listen, you get over there, and you heal him. There are a lot of lives depending on what he can do. If you fail, I have no one else to ask. He’ll die. Others will die. The question is, what are you going to do about it?”
I want to help. Does he think that it was my idea to come out here late at night to watch a stranger die? But just because I can balance an equation doesn’t mean that I can make a man with only half a hip walk. People just don’t do things like that. But he’s scooting me over to this guy, this injured man. He’s not much older than I am. Certainly out of EI, but not for a long time. What kind of a life does he have? I look at his black hair and cinnamon brown skin. What kind of a life won’t he have if I’m too scared to try?
But it’s crazy. I know it’s all crazy. What can I do? And even as I think it, I’m placing my hands on his raw flesh so that I can try.
I gather myself, try to focus my thoughts as I’ve done before. Of course I’ve done little experiments. I thought that most people must, in spite of the fact that it’s forbidden. Well, how can you learn the principle and not want to see if you can really do it? But this time, it’s not to find little glimmers inside of myself and gather them into a spark that pops from my fingertips to the kindling in the wood stove. This time I need to give instructions, to cause his tissue to behave in a specific way and then give it the energy it needs to accomplish that, not just to gather enough energy so that it catches on fire. This could go horribly wrong.
My fingertips tingle. My eyes are closed, but I’m acutely aware of Barry watching me. I try to concentrate on the task. The little bits of magic that collect like dew drops and trickle down into my hands are gathering, but what do I do with them? My hands grow warmer, almost hot. I need to release the magic soon. I could dribble it down into him and hope that it does more good than harm, but I doubt that it will work. The simplest manifestations of magic are light and heat. Without direction, the magic will illuminate the wound and make it hotter. That’s not what I want at all.
I let go a long breath and open my eyes. “I don’t know what I’m doing,” I tell Barry.
“Your hands are glowing,” he says in a hushed voice. “I can’t do that. None of us can. Kestrel, you can do this. I know you can find a way.”
He isn’t helping.
If only my grandmother were here. She might know. She knows more than she has taught me, but how much more? And then, as always when I think of her, I begin to run through the words that she has taught me, the words that she whispered over my cradle and still tells me nearly each time she visits.
The words aren’t Galliun, like my mother taught me to speak. They’re different, ancient. Running through them helps to calm me, to focus my mind.
And I realize that they are exactly what I need.
Suddenly, it snaps into place. I flex my fingers and then lightly rest them on the wound, ignoring the blood that smears itself on my fingertips. “Effro,” I whisper.
A part of me can see--or at least be aware of--what is there. Deep, close. There are tiny strings of muscle, all layered on each other, ending in nothing. They mingle with blood vessels, some burned shut, others dripping, all damaged. They know how to grow, to repair, but they are all in shock, hurt and tired. “Symud,” I tell them, all the little listening presences. And then I let the energy free. I drip it slowly, just enough. I don’t want to overwhelm them.
It’s like tiny mouths drinking. They relax. The pain eases. “Symud,” I say again. And I try to combine it with the idea of growing. For a moment, nothing happens, and then all they expand, just a little. They reach toward me. I let more energy free. Now that they understand what I want them to do, they stretch faster. They multiply. They lap up magic as fast as I can pump it down my arms and through my fingertips. The yellow-orange glow intensifies, turns blue, and then white as less energy is lost as heat. It is no longer warm.
It feels like I am inside a waterfall or a dance.
When it ends, it feels like I have been jerked to a stop. My whole body, inside and out has been slapped, or maybe slammed into something.
My nose tickles. I lift a shaking hand to touch and find that my nose, my cheeks, are wet with tears.
I can hear someone talking, but it doesn’t make any sense. Who would be talking? I try to find all those little voices, to go back to the dance, but it’s like a door has been shut. I am alone. I can’t see. My eyes don’t know how to make sense of what light there is, and even the light is fading.

[200]

Continue on to Chapter 2